Read In Your Language

Happy 50th Birthday, Graffiti!

In 1967, some dude in Philly wrote his name on a wall to get a girl's attention. My how this culture has grown up since then.

Taggin Ass City

A historical look at the origins of the 1st element of hip hop in this new documentary. Culture kicks the facts.

BBoy Salute:DISCO DUCK

A LEGEND amongst legends has passed away in Philadelphia. You should probably know this name if you SAY you love hip hop culture...

The Art Scene: The Fun Gallery

Street Art? New???? Our Big Brother Samo, aka Basquiate and the crew was doin that back in the day in NY, sun. Take peep into the start of a movement.

Da Buze Bruvaz: Hard Liquor

Our favorite rap group is back making that unmistakable hip hop music. Nothin but fire. see if I'm wrong...

Tuesday, February 23, 2010

$ykotic quicktrike...'cept it's Cult



i aint a biter. and thats my man regardless. but i just had to drop these on yall. imagine gettin ur bboy on with these! remember the Alpine goggles? what an upgrade!

Friday, February 19, 2010

And Then There was One...



Pay homage to the rap legends. These guys have started trends, sold millions of records, restructured the way group members can earn some cash individually, put a NY borough on the rap map, and are still able to retain and conduct business ventures like a newcomer starting a rap career. This is very, very hard to do in the world of Hip Hop. These guys have seen so much of the industry from it’s inner and outer functions that when they say something, you should lend an ear for minute right? If you haven’t heard this you might want to take some time out to. Method Man, Ghostface Killah, and Raekwon are speaking about the state that rap music is in these days. But since I included a Worldstarhiphop link you know you have to read the comments, because no matter how absurd they may be sometimes over there, you know they are still actual thoughts of people.

Now a lot of what Meth (primary speaker on this one) and Ghost are saying is actual fact. Why would you go on a track with other rappers, good, talented rappers with mediocre material? Correct me if I’m wrong but that’s the moment when you WANT to bring your A game, because this show of skill could open other doors for your career as a rapper. I can’t see “swag” on a MP3, can you? I could be the richest man on the planet and drop horrible 16’s on songs with other rappers who want to be ME, super rich, but I rap like a gerbil taking a hard shit. Am I the GOAT because of this monetary wealth I have but can’t buy a rap skill?

No shots at anybody. Just saying.

You can’t be a lawyer if you don’t know law, no matter how much ‘gift of gab’ you have or ‘look the part’ with a solid connect in the practice. You may be able to fool a couple of people, but once your skills are put to the test and you fail, you’re done. You have to constantly prove your law knowledge superiority to win cases. Yet there are certain levels of lawyers, what they call their specialties. The criminal lawyer is high profile, most of the time is going against government, a lot of times end up the government’s lawyer, the DA. The ambulance chaser is the crackhead lawyer, looking for the quick buck. Looking like rap isn’t it? The ambulance chaser lawyer knows he can’t do criminal or tax law, doesn’t even bother to, and stays within his boundaries. The ‘ambulance chaser’ rapper acts like the rap DA, even though they have never done the due diligence to even be in the conversation of a past or present rap DA. Wacka Flocka Flame has only done one song that a few of the vast American population would know and was publicly assaulted all within an Earth hiccup. I don’t think he should be or is qualified to specify what rappers need or don’t, even for himself. He just got in the door (regardless of his mama’s job), how much could he really know about how the game works? But of course he has his own opinion. If he chooses to put himself in a very small space with no chance of growth, then let him, because that’s exactly what he did, imposed a limitation on his career growth when he stated “I don’t need lyrics”. What happens when the rap climate changes, like it always does, and it calls for something with lyrics and true expression? He’s done, just like the ambulance chaser lawyer trying a death penalty case. Check for reference the video out there with Diddy and Ross doing their verses to Wacka’s song. Where was he? Wouldn’t that have been a hell of a good look for him to grace the same stage as them? Look at how they know what Ghost was saying to be fact, and they are running with the young boi’s song. If he had lyrics it would have been a requirement to get him to appear.

You have to show and prove you are qualified for any job out there, a D-boy, mail clerk, receptionist, college student, fry man, assistant manager, lookout. If you are garbage at your job you get fired, right? Soooo, why not a rapper? A MAJOR rapper qualification is you have to have some type of lyrics, or find something else to do for the crew (DJ, dance, hold/roll the weed, staple the posters, beer runs, etc). Now let’s realize that having lyrics is WAY DIFFERENT than being a ‘conscious’ rapper, this is a big misconception in rap music. Sir Mix-A-Lot had some lyrics, he wrote in a crafty way “look at that fat ass” and to this day is STILL getting paid for his lyrics. Who really remembers the beat? People recite the lyrics with ease. Public Enemy is conscious, but I never saw anyone break out a dictionary to recite a Chuck D verse, he used simple English to get his point across.

The most frequently used excuse for bad rappers & fans is “I don’t wanna hear no one kick knowledge”. “My fans don’t wanna hear me kick knowledge”. Telling people how to split the brick, serve the customers, hold down the trap, specify versions of diamond cuts, or how to do a dance step is kicking knowledge fam. You have to ask yourself what TYPE of knowledge do you want to hear or speak upon. Conscious rap is for the rap fan that wants uplifting content in their music, so let’s not ignore that 2pac’s “Keep Your Head Up” is a conscious song because of your connection to Pac’s inner thug. Another excuse is “I wanna dance in the club”. So do I. Wacka don’t make songs for the club. A rap night at a club where a song comes on and everybody goes into click mode and starts to posture for a melee is not dancing. Putting on the Prada’s to go to the club for r&b/house music night is dancing. Did you hear the Hammer example Meth gave in the interview? When it comes to Mr. Dance MC (lol), you probably won’t be able to do it bigger or better than Hammer when it comes to dance & rap, but we all know he crashed badly when he tried to come out of his lane and merge with gangster rap. He’s never recovered from that, even to this day. He boxed himself in with dance, and NO LYRICS. Someone recite “Can’t Touch This” without the WTF? face and you win ridiculous bragging points. Bet you have to do the ‘Hammer-time’ dance too, but you can leave the pants home. See how the gimmick has outlived the artist that has no lyrical content?

Now the regional topic Meth used about southern rap is moot, wackness is everywhere. I do understand the reference that is used, because that is the ‘prototype’ of today’s successful rap, and believe it or not, a lot of it is from the southern region of the US. The Nelly example was a good point. Nelly was the DA, Chingy was the ambulance chaser. The labels have manufactured so many failures that they refrain from acquiring raw talent to mold into a true artist. They invest in your already done hard work and take large percentages like they did all of the work. So you know they’re not setting rappers up for the long run by teaching them how to talk to the media, giving music lessons, seeing if you can play an instrument. Now it’s actually better for them to let you fall off, after all Mr/Miss rapper dude, you signed a 360 deal didn’t you? No reason to wait for a recoup from sales, they’re getting their investment back NOW while you commit career suicide going to jail and burning your money on lawyer fees, pills, costume jewelry or whatever. Does this scenario sound familiar?

I found this Wu interview quite informative because they are teaching a class that is not being taught these days. Especially the part early on when Meth says “watch, there’s only going to be ONE LABEL…” A perfect example of this is the bouncing around of Game’s contract on Interscope. The way sales are going now how long before Koch/E1 closes the doors? Universal is the largest (Def Jam the most rap), Warner Bros (Atlantic), Sony/Columbia hardly has anyone, Virgin? Nope. This is why I can’t understand why cats laugh at an Amalgam Digital, they’re pretty much the only ones left on the new artists’ side, doing the digital thing, serving the Gen Now rappers who pay them no mind. So you can’t say Meth was lying, Universal is the only entity set up to outlast the others. Cash Money, Bad Boy, Aftermath, Shady, Maybach, CTE, Roc Nation, Disturbing Tha Peace, and more all reside on Universal. Warner has So Icey and Grand Hustle, and whoever else doesn’t want to work for Universal, but for how much longer? If Lyor Cohen & Kevin Liles (now @ Warner Bros) left you on DJ to rot, shelved you, you get released and go try to get put on at Warner, think they're gonna sign you? Your name is not Jay-Z. And with the one label thought, what type of music do you think Universal would put out for the people? Wouldn’t they really control what the masses hear and like? Do not forget this part, COMCAST owns NBC/Universal. Yes the cable channel now owns the record label, TV and movie studio empire. Expect changes, it is imminent.

These Wu-Tang men don’t sound old and bitter to me, they are doing what OG’s are supposed to do, put that bug in the youngin’s ear to help them get to the next step. We are trying to warn y’all that your time is running out with this Gen Now rap. Step back and re-learn the basics if you still want to be an emcee, go back to trying to churn out cohesive music for the ages to cherish and leave the fly-by-night swag and guap guys to die in their own iniquity. And I don’t mean literally either.

The $ykotic Don McCaine

Thursday, February 18, 2010

THATS THAT BOL-SH!T
















the ill shit,,,

Author: Combat Jack
Comment:
Don't know how you do it Byron. I couldn't wait 3 months just to get check one. iHipHop might not be as esteemed as XXL. But them cats paid me my check week one. Plus they doubled what I was getting here.

Maybe it's because of the fact that you don't have any kids.

Or happen to live in the Midwest, where everything is cheaper.

There. I said it. No shots. Just sayin.

See all comments on this post here:
http://www.xxlmag.com/online/?p=70715#comments

this was in my email. it's Combat Jack commenting on Bol's post (follow the link) on XXL. i went to add my two quarters, and when i pressed the button to add my shit, boom! me and CJ shit was gone at the same time! (i commented under his shit). it's like $yk said. XXL is loosin mad weight. it's about to shed the only muscle it got left.

i mean the mag is nowhere what it used to be. it was the saving grace when The Source fell victim to niggadom. ifn u fux wit me regular, then u remember my piece on responsible editorial. i mean somebody somewhere has to be the gatekeeper to what gets disseminated to the public. good people with really good intentions can come off like they wanna fly planes into buildings and really mean somethin totally different. sometimes, we need somebody to watch our back.

it used to be a time when it was well understood that XXL had our back. it was the gatekeeper to the culture and an artist had to really get that work in in order to get that XXL rating. it meant something. now it seems that it's part of a promotional package. it comes bundled with radio airplay and jail time. and it's funny. every "real" nigga i know tried to avoid the penn like crazy. these dudes blow weed smoke at it cause they know they get to sit up in PC (pussy city), away from the real criminals. they come home, get that write up in the mag, the rating, and the street cred to the mothafuckas thats far removed from this shit. i mean, my old heads wouldnt even speak to me when i went back on parole violation. they said that they gave me knowledge and insight into the game in order for me to SURVIVE in it. not become a victim of it. and they were right. and real talk, it hurt that i disappointed them like that. one has a life sentence, and the other has 136 years LEFT to do. so Bambu and Kippy, rest assured, i'm on the J-O now.

the baw Bol is a real talent. i dont dick ride or "network" (code word for dick ridin') like you do. i tell it like it is. or how it ain't. and he got this disaffected, self depricating, Woody Allen-esque caricature , thats really steeped in a real understanding of hisself. it takes honesty and guts to get to that point in your life. and if it's a character, he need to sell it to the Borat dude. either way he can WRITE. we all know that. but maybe he's like a lot of dudes i know that just really arent aware of what they're worth. my man Rhythm GAVE AWAY THE BEAT TO "JUMP" BY KRISS KROSS. he thought it was wack. he used to be at the Ruff House studios(home of one of my favorite engineers, Joe "the Buthcher" Nicolo [think "PSK" by Schoolly D, and the entire "Score"]), when Jermaine Dupree (what label was Kriss Kross on?) came in and asked him what was he gonna do with that. he GAVE IT TO HIM free and clear, as in givin him the disc it was stored on! 3 million records later, my man... well, thats his business. either way, it's what i think CJ was tryin to tell his homie. you're worth more than that. recognize. cause all the rest of us do.

and if he roll out, it'll be interestin to see what they gone do then. i'm sure somebody else will come to blog there, probably to help drive traffic to their own domain. i would. in an instant. there's a whole lot of people that still wanna believe. and if they need somethin to believe in, why not believe in me? my name is CULT.

so here's to the talented mothafuckas that almost never get the accolades or the paycheck that they deserve. here's to the ones that realize what they're worth and move out on it. those are the ones that become the legends in the game. the others become the bullshitters and the quitters, aka your uncle that still lives with his momma at 47 yrs old. one day ask him how he got there. but bring 5 dollars. cause he gone ask you for it anyway.

Tuesday, February 16, 2010

Lockdown






I’m bugging out right now.

While most of us are suffering from that love hangover, this is the time I start looking at baseball spring training. All of the holidays are over until April so I start looking into what the hometown Yankees are putting on the field for the upcoming season. The NCAA tourney is near, pro basketball heats up when the last two weeks of the season are around, baseball is starting.

And while glancing at the headlines I start to see the stuff about the collective bargaining agreement. Then I remember that NBA Commissioner Stern was just talking about the collective bargaining agreement at the All-Star Game. THEN I said to myself “weren’t they talking about the collective bargaining agreement during the Super Bowl?

Everybody is gonna strike at the same time? I do a little research, and the NFL would be this coming season but the NBA & MLB would be the same year, 2012 (I kid you not).

And I’m not going there with that.

What I’m saying is that the circumstances are different than when baseball and basketball & football (scab games are awful BTW) went on strike years ago. The owners’ pockets were being filled and the players wanted a raise. Franchises are hurting now because of many over-inflated player contracts and low gate revenues (the fans are broke). Would those owners out there who are bleeding red welcome a closure of the doors for a year or two? I think so. The Yankees can turn to the YES network and keep selling fitteds, the Braves have TBS, The Kansas City Royals and The Cincinnati Reds are stuck. The economic recession allows the owners to maintain their firm stance on lowering payroll, and winning that argument too. Now what employee do you know that wants a pay cut?

Personally I think the leagues should contract, those booty butt franchises need to close up shop and send them bench warming, pine riding weed carriers home, shuffle up the rest of the players and keep it moving, but I also know that thought will take some change of address requirements for teams still standing. Some teams will need to move to larger markets for their ultimate survival. Where is all of this money coming from to do this?

Nowhere. All of the leagues are at their peak. ALL of them have struggling franchises and terrible organizations that bleed like a hemophiliac. But once you get the employees to take a pay cut you can start the power moves. I used to work for this company some years ago and before it was up for sale, executive management locked us in on wages to report no growth in payroll, hence less taxes and expenses, but same incoming revenue, and the company was sold within a year's time while we were locked in for 2. You figure the new company would give it a year anyway, try to see if they can make it work right? Just remember you have that one year left while you collect those paychecks, (peep the jewel 9-5 ers) if that. They will want their people with them and fresh faces for cheaper pay.

I can’t imagine there being no NFL til 2011, but they may play one more year and renegotiate in 2012! Then the MLB may fall back while the NBA decides they ain’t gonna roll either? No sports at all in 2012 except the London Olympics?

Told y’all I was bugging…

Sunday, February 14, 2010

Sykotic Quickstrike: Kibblez & Bitz















Shouts to Dallas Penn. They go well with the cocoa suede jean jacket.


Did anyone get that call the universe left last week? It had America looking like a brick of yay fell from the heavens…

Birdman, we all kinda know that Kells is a weirdo, but a red star tattoo on your noggin like a Heineken cap is weird too.

Anybody notice that since Kanye came back from abroad the Jay/Illuminati talk died down?

Are you surprised that Canada is taking the ridiculi L with the Olympics? The whole world knows that Canada is the United States North, why don’t they?

Fifty lashes to the editor of the “We Are The World 25”video. 25 years later and it’s worse than the 1st one, with less technology then. And did Jay and Em even belong on that song in the first place? This is why the editor shouldn’t get 100 lashes…

Who out there is left to blog for XXL?



$yk!

Related Posts Plugin for WordPress, Blogger...
Twitter Delicious Facebook Digg Stumbleupon Favorites More