Read In Your Language

Happy 50th Birthday, Graffiti!

In 1967, some dude in Philly wrote his name on a wall to get a girl's attention. My how this culture has grown up since then.

Taggin Ass City

A historical look at the origins of the 1st element of hip hop in this new documentary. Culture kicks the facts.

BBoy Salute:DISCO DUCK

A LEGEND amongst legends has passed away in Philadelphia. You should probably know this name if you SAY you love hip hop culture...

The Art Scene: The Fun Gallery

Street Art? New???? Our Big Brother Samo, aka Basquiate and the crew was doin that back in the day in NY, sun. Take peep into the start of a movement.

Da Buze Bruvaz: Hard Liquor

Our favorite rap group is back making that unmistakable hip hop music. Nothin but fire. see if I'm wrong...

Wednesday, August 3, 2011

Plugged IN (Out?)


i was thinkin the other day that its amazing the power of perception. depending where you are on which side of that coin, it can be healthy or down right deadly. for the dudes in the rap game, its absolutely necessary that they see themselves in a particular light. cause if the get exposed under another light, you bound to see some stains that you never noticed before.

so i started thinkin that maybe a portion of that has to do where they're plugged into the Matrix. yes another Matrix reference. fuck you. but its appropriate. i mean seriously, wherever people are plugged into is how they perceive themselves. just like the movie. its not really real.

lets take Ross, for a minute. the baw, who was once a corrections officer, is really sold on the idea of being a big drug kingpin. and somewhere it computes in his brain that its true. or that its nearly true at least. Wayne too. they both got a song out now called "9 piece", which anybody on the streets knows is a quarter key. thats a respectable place to be in the game. its somewhere between large and past the niggas you started out wit. in Ricky's case, we can say that he is also responsible for a lot of people takin more notice to lyrics from the baws on that side. they used to get a pass, till dudes like him, Wayne and OGs Bun B and MJG showed that dudes from that side could put it together. he even put on Meek Mill and Wale to kind of seal that whole idea of the spit team. but his emphasis isnt this. his emphasis is the fantasy, and at every turn her wants to further solidify it in your brain that he is from a place that he is not. the Matrix baby.

then take dudes like Common and Immortal Technique who obviously pulled they plugs out long ago. they go back into the Matrix to conduct business and do dealings, but we always get the understanding that they are apart from it.

who the fuck knows where Nikki Minaj is plugged in at. it has to be a greater accomplishment being a woman and being able to unplug because of all the admitted confusion (read:"prerogative") that women SAY they are programed with. i salute the Mystics and (young) Lauryn Hills and Jill Scotts who have seemingly chose the red pill.

in each case, each has to believe that their place is where it is. they have to reinforce it to themselves in order to be effective with the rest of the world. if u dont believe that ur "that guy", then no one else will. this is also a problem with the 'swag' generation. they believe that they're that guy with no adequate reinforcement outside of themselves. in other words, it aint real unless we all see it. thats why they stay amongst themselves, and anyone outside of that is a 'hater'. might as well call 'em a 'squiddy'. cause in their mind they're comin to try to destroy them. and all said person is tryin to point out is what can make them BETTER. they even wear bright cartoon colors and plastic things to further ingrain the unreal notion of themselves. they just might as well start wearing Batman "BLAM!" tshirts. shit, i might start sellin 'em. operator, i need a clean line. i'm goin back in....

i guess thats where we come in. this apostate belief, this bboy cult. this belief that style is infinite and that the brave claim glory in it. that the competition of this style is not destructive; it is the only way for the style to grow. that following a perspective based on individual identity, and not the identity of the crowd is key to growth of the market, the style, the form. the ART. we believe in the beauty of craftsmanship, and are not afraid to give acknowledgement to those that deserve it.

AND we look dam good doin it. get unplugged.

get fresh.

bboy fresh.

bboy cult.

Tuesday, August 2, 2011

Things u will only see in...

Philly. if u aint ever had Frank's cream soda, or black cherry, then u just had a soda...

New York. it aint a must-go-to spot, but its kinda got its own vibe... ( i think its still there..)


Washington, D.C. The House Strip Club, formerly The Penthouse. i know, u got strip clubs in ur town, but trust me, u aint NEVER been to a spot like this. some real playa shit go on in and around these parts... (please disregard the busted bitch in the front of the picture. we dont pay no mind to broke down hoes 'round here. its the only pic i could find of the spot.)

please feel free to submit those spots that are unique to your town. rep ur real estate! send all submissions to culture@bboycult.com.

look forward to hearing from you.

BBoy Classics: "Bam Bam" Sister Nancy


this is what you call a house burner. even dibby dibby sound bwoy cyan mash up da place when a man drop dis eyre. strait up. if u ever been to a dance, when this drops, it always makes the crowd go absolutely crazy.

she is the 1st female dancehall DJ, and the sister to Brigadier Jerry, a legend in his own right. but this tune is recognized world wide as a bonafide reggae classic. if ur not hip, get to know it...

this is a special dedication to my dude $ykotic and my man Capital G, and all my folks in the smoke shop. peep the lyrics...

Bboy Salute: Lord Finesse


it seems that when the conversation comes up, it seems like people just wanna forget the importance of the Diggin In The Crates Crew. and this dude, Lord Finesse, is the cornerstone to that crew. this was more than just the shit, it was also a signature style that the whole of hip hop followed. the style of beat construction, with the horns echoing went into Pete Rock's sound. if u listen to this second joint, check the method, u can hear Wu's 36 Chambers all in it. style wise. punch lines? Lord Finesse was one of the 1st with the real witty, clever punchline styles that you can hear all in Big L's rhymes. you can even hear his influence on Big Daddy Kane, after Kane's 3rd album.

for those that cant remember, this is the shit that used to rock the clubs. real hip hop once was the top radio shit. shit like this....

and give homeboy his proper salute.

Monday, August 1, 2011

In The Crates: Who Used This?


speed it up of u cant catch it...

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